John Waters - Looking Through a Glass Onion

UP CLOSE & PERSONAL, WHERE IT ALL BEGAN

Nambour Civic Centre
Sat 19 May 2012

Time: 8.00pm
Tickets: Adult $65 / Adult $65
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In 1992, John Waters and Stewart D’Arrietta took to the small stage at the Tilbury Hotel, Woolloomooloo, Sydney with their debut production of “Looking Through A Glass Onion”.  What was an initially a one week booking quickly sold out and extended into a six week, sell out season.  Thus the original seed of “Looking For A Glass Onion” was born.

Fast forward 20 years and after many successful and sold out Glass Onion tours, John and Stewart have decided to return to their ‘up close and personal’ intimate 2 man show tour.

John says he wants "to take the show back to its roots” . “This is a last chance opportunity for regional Australia to see this show as we’ll be taking it to Broadway in New York in 2013 and are in discussion with Yoko Ono on aspects of the New York shows”.

The National Tour of “Looking Through A Glass Onion” commenced in November 2010 at the Sydney Opera House, with a sell out 2 week season the production quickly extended throughout 2011 taking in over 30,000 ticket sales nationally to be the ‘highest selling Australian Artist tour thus far in 2011”.

“Its been fantastic the response the show is receiving, especially from the younger audiences that are coming along, some of whom were not even born when Lennon and The Beatles were recording and releasing their music, it’s a testament to the legacy of the man and his music that still excites and intrigues people to this day” says Waters.

“Although we’ve done two tours with the full band we were constantly inundated with requests from areas we had yet to tour to come and perform, so we’ve yielded to the call and decided to go back out of the road with the original 2 Man show” cites Waters.

A homage to the music, mystery and memory of John Lennon.

The show is not a cut-and-paste biography of Lennon or an emulation of the original recordings.  On stage, with shadows from the lighting arrangement fluttering over his face as he explores the essence of the man through song and spoken word.  Waters, becomes synonymous with Lennon.  He shies away from imitating the artist, but so emotive is his performance, it lulls the audience into believing anything is possible.  It’s part concert and part biography, though it doesn’t seek to tell the full story of Lennon’s life.

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